#anyway its like. the money argument does make more sense to me than the 'ur not allowed to engage with it at all'

[starlightomatic]

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[misterbitches]

I ship muren and li cheng bc i only saw it through gifs then i watched this episode cos i was like im only starting this show if they kiss im waiting and they did and it was nice and i got so anxious that i was about to fucking vomit. I really like them together. The top/bottom shit is dumb and i hope if they must mention it they all build a bridge and get over it so they can switch cos who gives a shit. I didnt realize how large they all are like most “tall�� men on tv are lying. But bc that kid is so thin and tall and the other one (idk the stepbrother) is huge too. Li cheng is shorter than them both but more ~manly~ but still short so why doesnt he take a DICK UP HIS BUTT XD since that’s all that fucking matters and there’s only 2 genders and 2 eays to have sex lmao so nothing else otherwise ur screwed

Hd a terrible past couple of weeks personally and because i keep seeing my peopl eget murdered and things ripped from us ^_____^ anyway here’s Some libertatrian communist dumb bitch discoars so i’ll tag it:

keep in mind these are my opinions’”” when i engage in discourse. I am not the end all be all and I don’t need you to agree. There’s some shit I am non-negotiable on but thsi is just exchanging of information. Any authoratative tone I take on comes from my beliefs, my life, my experiences, and what I choose to cultivate as a person and an artist. I dont have control over your feelings, you do. If it hurts you then either tell me the issue and be PRECISE about it, understand that context matters which is why i type so much in engagement, and do not fucking lie or misconstrue my words. Do not call me western ever in your life either. I am a black-american. I have adhd and bc i am a black woman if ur automatically thinking im brolic i am accepting money in my paypal for ur wellbeing to get me to shut the fuck up.Thanks.

The stepbrothers storyline is stupid and lazy writing. I really want to counter people that say it’s written well and that it’s interesting because it isn’t. Even if it was illicit and fucked we can write a story out about this. Let’s rethink what they could have done shall we:

- become stepbrothers at about 16 and their parents mismanage the relationship and they fail in trying to get an integrated family together (this is what happened in the #iconic transit girls and that was fuckin’ weird but hey dude guess what we watched it and it was weird but not unethical and we know one is like 19 and the other is 21 and a girl so it’s like wow you avoided so much and handled their stepsister story very…….um lightly given the end lmao but it was there and people had AGENCY)

-OR you realize that freak is obsessed with him and then he realizes it and is like “bitch i swear to god” and in typical shtity trope BL fashion they can find a way from obsession, to loss and independence when you lose your obsession, to “love” if they choose

- have the fucked up shit but make it clear what the issues are and you literally cannot write your way out of it so do not try

But why can’t fucked up things be shown? Also this is realistic.

0. Well according to you but no one said that they can’t. So that’s on your interpretation of critique (that is, again, not bullying or harassment.) They can, i just gave plenty of scenarios in which it is affective and not just annoying to witness, trope-y, and frankly ridiculous and offensive. Sorry! They don’t do it well. You can come up with alternatives too. See #2 btw.

1. No it isn’t doing a good job of reflecting life because life has consequences. The exaggeration in drama doesn’t mean the arc shouldn’t be there. Almost always things that aren’t heavy with the message or meant to be sobering in a deep way are COMPELLING. The realism is the basis for art because we are human. This is not the way real humans act.

Someone said Tharn Type was mature and I had to laugh because no, no one acts that way and is “in love” if they act that way that means they fucking hate each other and they’re immature and frankly it’s just not that interesting for many of us to watch because the dramatization of the “realism” is fucking bonkers. That was such poor writing it is unbelievable and someone has the audacityt o say it’s how real adults act. Fucking murder me if I’m with someone for 7 years and we break up over a miscommunication and for some reason I am not as horny as my always horny boyfriend. The fuck? What kind of lives do you lead? Either you are not an adult or you are an adult who needs therapy.

I also hear the “realistic” argument but then people try and temper it with “but also it’s fiction.” What do you think fiction is? Why do you think filmmaking exists? Number one, it’s propaganda in the sense that you want others to buy into your presentation and see what you see. That means that the creators are telling people and influencing them WITH ART BECAUSE THAT’S WHAT IT IS about their feelings around a situation. That’s why it is imperative to be responsible as a filmmaker and artist and underline the deepness of creepiness if that’s what they want. If they want to relay that rape sometimes ok and psychos are crazy so they get boy (??!?!?!? BITCH?) then they achieved it with no innovative information. We know people get raped bc we are human beings and many of us live with that fear. You know, being the target demo and all. And bc BL loves that trope it’s rape fantasy peddled to young people and women. Just like shitty wattpad fics or NYT best sellers. Hooray, what now? Or are you trying to purport that this isn’t glorified fanfiction? Which it literally is

2. This is the issue with these shows. No one is saying that fucked up shit cannot be shown. There’s a film about a woman who is raped and she falls in love with her rapist (because he was masked but i think we find out later that she knows. Binoche is in it.) I have no desire for that film—i think it’s by a man and i extra dont care—but I hear it’s sort of powerful for many. I heard it was a good film. But the act itself is always eschewed and the conflict comes from how fucking ridiculous it is especially finding out that she knows. The power imbalance adn the possibility. They may not have handled it in a way I would have cared for but it was there.

There’s simply no imagination because these people do not care that much and aren’t great writers and filmmakers because they simply do not have to be. Sorry.

The industry doesn’t rely on the best they rely on efficiency (this is everywhere.) You can tell by the camera angles, the editing, the camera itself (idk if it is multicam but the flatness is typical soap flatness without the glowboxes to soften their faces.) Simple constant lighting. Now the surroundings are mostly beautiful. But even to some of the costumes. And those edits are abysmal, some of that camera work.

So with all that said even with the couple I extremely enjoy I see its (H4) faults. Add into that a lazily thrown together “shocking” love and if they are trying to get us to feel a type of way about its sexiness they fail. This is why movies like 50sog, 365 days, etc aren’t enjoyable to people because it’s fucking strange situations that they dont want to entangle or make enjoyable to viewers across the board. They know what people will take. It’s just that bitch what are we here for if even the sexiness isn’t there for ur stupid story.

At least with that teenager and 30 yr old man in MODC (which i do not love but i like them in theory if it wasnt totally repulsive to me and also if it was developed in a way that was good TO ME) they had their, er, “sex appeal” i talk about this as well the main couple in MODC to me, visually, was a miss. Not bc whatshisface was small and stuff but bc he was so sickly and they needed that to propel the story but it was just not appealing given how the story progressed. A missed opportunity in tying the two together besides making him look waif-y and sickly only to have the “did ur mom die in a car crash? No, cancer” type of move in not another teen movie. But the opposite. And not funny. Wayne tho????? GORL. Eggs. Cracked.

fandoms have a very warped sense of harrassment and discourse.

Most fandoms have harassers who are “protecting” the cast and crew who don’t need their protection (or maybe the crew does since they probably dont get paid well but why the fuck would anyone care about that lol) but very few have the people who have concerns or massive critique about the show are not going to be “bullying.”

If people are saying “if you like xyz, u suck” then sure it may suck for you to see but who fucking cares. Either talk to the person or don’t be friends with them. That is not bullying or harrassment. Things that are shitty get criticized. Fuck, things that aren’t shitty don’t. Get away from this idea of cancel culture and people misunderstanding the story. We have the ability to.

Think beyond your noses of personal preference. You don’t have to convince people of what you believe. Discussing it is good but critique is not bullying, harrassment, or hate. Neither is fucking roasting shit because even this shit I like (manner of death lets say) deserves it. Art is meant to be critiqued and if you dont fucking like the bullshit people make then say it. They know stupid stories like this are scandalous and they don’t give a shit in how to present them.

And guess what? You won’t like everybody. Many people can’t stand me i’m sure. Oh well. I mean frankly I don’t like that and I feel very unsettled when I don’t feel understood. That’s ok! I have to temper it. Sometimes calm myself down. I won’t get anything and everything I want. And you won’t like every opinion and sometimes it’s like “man am i a dummy?” But the part of growing up is fucking maanging that and beng honest about “bashing and harrassment” and “bullying” and growing up. Yuo can like what you want the “let people like what they want thing” is so fucking juvenile and THAT is not the real world. Which is probably why so many people feel that way, they dont want to live in the real world. Unfortunately, you do.

Think beyond our noses of personal preference and what we feel emotionally in conjunction with others. You don’t have to convince people of what you believe. And you can say things that you believe to be true but it doesn’t make them so or maybe it isn’t received that way to people. And many times we learn new things in the discussions “oh shit i didn’t see it that way” right? Discussing it is good but critique is not bullying, harrassment, or hate. Neither is fucking roasting shit because even this shit I like (manner of death lets say) deserves it. Art is meant to be critiqued and if you dont fucking like the bullshit people make then say it. They know stupid stories like this are scandalous and they don’t give a shit in how to present them. Usually the “opposition” in these situations aren’t the popular beliefs that permeate through society. Trust me lmao

Antiblackness

Antiblackness is a thing. It permeates everywhere. It permeates in this genre and it permeates in fandom. Get it the fuck together. Also do not conflate cultural relativism with being repsectful. They are not barbarians, they are smart human beings either making work or deciding to. We all have diff cultures but we have fucking sense in what is respectful and not. And if we don’t we fucking learn. You cannot excuse things and say “oh culture” when you have 0 idea of that culture or actual people who are radical etc and are fighting against it. Additionally the word westerner is an ignorant term when referring to people in the US or UK who are black. Because we are not. We extend sympathy to other groups and empathy since we know so there is no inherent power imbalance between a black viewer and their subject. Don’t suggest that because it’s wrong and ahistorical and contextless.

FIRST the fallacy of representation as freedom makes people fucking complacent, individualistic, and doesn’t let them think critically. Consumption and discourse around consumption is not helping material conditions of the marginalized communities in your home, the black ones who are ignored, those intersectionalized in these communities. Groups talk about art and what it means for them outside of just what we see and because we also don’t have access to a bunch of Thai reviews or what movements or going on we are less likely to know if we don’t FUCKING SEARCH for it. Because art is constant...which leads me to....

Representation is difficult. It matters and it doesn’t.

Tthese shows are not meant to overturn the LGBTQ+ community.

There are queer filmmakers and artists in these countries. Deep illustrious film careers or even TV that is moving and deliberate. We can even see it with the dude from “your name engraved” in their short series he was in beforehand. BL is no wa pejorative because it is simply not “qu**r” storytelling whatever that means. But know it has always existed everywhere and there are also out artists or radical artists in all these countries who do no respect mediums that are cash-grabs and poorly made.

ex: As much as “Like in the Movies” sort of isnt for me and is a bit hamfisted you can tell how much love goes into that. Love of the characters, acting, and message. Yes it’s cringey to see some of the lines (like very tbh subtlety wasnt exactly their strong suit) and yea naming them after lenin and marx is just 0ihgoaudgijposkagjihou BUT GUESS WHAT? THEY FUCKING DID IT. THEY TRIED. And class was a large component as well bc u cant fuckin ignore it. The show is aware of the machinations in its world as a show but also in the philippines and for a fuckin reason. And duatarte? Loooooooool so like yea not so sure bl makes him love his ppl but the show isnt trying to do that

It’s not a transgressive genre and it has no reason to be. No ethical anything under the way we live it’s just trying your fucking best to be. That’s it. They serve societal ills and capital’s purposes. Which is fine but it is not revolutionary.

These countries in SEA or even SA do not have as big budget for even mainstream dramas—though things are changing and that’s bc REVENUE like revenue from kpop is fucking huge for SK and again so much about that is bc of what happened in their history from japanese imperialism to WWII to the US—so for “queer” stuff it is sort of now important to make that an export and it sure is one. Not only globally or to the west but a lot of these places make their money within asia (duh!) outside of their countries. OBVIOUSLY. so BL is a way to output and gain money. The thing is, it doesnt seem to be put back into the industry at all. For people in all these countries to make works that aren’t for mainstream or wont reach as many people there’s a difference between trying and just shoving shit in your face and going here it’s gay you like it right? But dont antagonize the inherent patriarchal nature of BL.

Another thing: did you guys know thailand was never colonized? You should look it up. There’s little hints of things in ITSAY to represent french influence still. Isnt that fascinating? Find out why. It’s certainly interesting that the representation, though damaging and dubious many times and also incorrect like any media, is huge in asia and this isnt a commodity here (the US) exactly. A lot of that has to do with colonial ideas of gender of which I am sure. But listen………lmao

Sometimes people dont give a shit. And it very much shows. Here is the thing once again. GOOD TRANSGRESSIVE WORK exists.

Een within the capitalist Bs paradigm or you can see people trying (I can sort of applaud parts of lovely writer) also queer media has always existed everywhere the reason you don’t know about it is because it gets takena nd commodified into a mainstream product. We hvae little incentive, particularly if we are not fans of cinema or art in gen, to search fror others when the output is right here. Being dictated by others and the state and who will give you money. No longer an effort of a cast and crew who want to convey things. But google [any country] independent cinema, radical cinema, queer radical cinema, or even retrospectives on the cinema and rethinking what is queer and radical in film. What if we took that, diluted it, got rid of the creators who put themselves through all the work, ignroe al the nuances and do……………….two actors who are conventionally attractive with no chemistry making out.

It’s the same here lets say daniel kaluuya winning the oscar for the film about the BPP. I heard it was okay and not too offensive but it still isnt’ enough. It still isn’t like hwood isn’t trash, nnati black, misogynistic towards BW and women, and all that other shit. It was pushy but it can’t be enough where we are. Black KKKlansmen i think won an oscar, by circumstance i fuckin hate these award shows they mean nothing, and i like the film a lot but he has his misogynoir still resting in his films even if it is poignant. And it was a film that honestly wasn’t really made for black people. And should all art be a response to direct trauma or trying to make ourselves palatable when we’re just human?

$$$$$$$$$$$$$$$$$$$$$$ and it’s importance (capitalism) but also sorta individual responsibility

Considering a lot of these actors are rich and then just dip that’s another problem. Mainstream isn’t what sustains marginalized art ever. It doesn’t change in the vast ways we think it does. What changes is the people of these groups pushing, fighting, forcing and then capitalism trying to make it work under capitalism. It will not. It cannot.

This is why artists and labels often don’t mix or you see people like Sonic Youth doing whatever they want and pissing off their label but making them give them money. Same with Nirvana. Vince Staples. The thing is they can fight and make good shit but what capitalism helps people….not care? They don’t respect the audience? We’re getting those returns on poor executed product placement, lighting, editing, framing, fucking acting. And you surewon’t see mixed black asians in these shows. WHY R U is the oNLY one i have seen it in and he just disappears (but that was pretty cool.) so who the fuck is this representing? And before you start: asian countries are not homogenous the way we believe them to be. There are marginalized communities outside of even mixed people that are harmed. So you can skrrt cause on that one: you’re wrong buddy. But it gives us the IDEA of a paradise which is what they NEED.With representation and visibility comes consequence and responsibility as artists. What it allows them to do is coast and not think complexly because why should they; it’s mostly the fantasies of some older woman who probably has money and much less interaction with the world. It’s bonkers. And what that allows even further is for them to say YOU ARE THE THING THAT YOU CONSUME and the THING THAT YOU CONSUME IS YOURS. It is not, it is not your identity, form a close bond but figure it the fuck out. Especially for adults who are hellbent on twisting their minds into pretzels and can’t acknowledge what’s just laziness in art and not giving a fucking shit. Truly.

There’s damage that has been done from Parasite as he was supported by CJE&M and the bullshit obsession america had and eveyrone’s poor interpretation of it if they are rich. BJH is a socialist and he is a filmmaker. He has made films that are outstanding and cost a lot of money. But now a fear for indie filmmakers is just not being able to raise that much or have that much attention. Getting funding that helps them instead of expecting the Next Big Thing that is a fad because capitalism is trash. Yes this funneling of money is absolutely harmful to us artists. Even buying in is strategic. Additionally, that film is probs one of the most radical films to have that wide release and accolade (unlike “Sorry to Bother You” which i have a lot of thoughts about. One being that asian exports are acceptable but black ones are not. This is an overall art critique and global media critique. Blackness is removed, not respected.) However, filmmaking isn’t green, it can’t be socialist, and it’s a lot of work. They used tons and tons and TONS of water to do a huge beautiful feat but we still know there is a cost. We have to figure that out because it shouldn’t be. It doesn’t go back into the crew’s pockets the way it should and the work becomes that of the director’s and actors solely. It’s fucking hard. We have to do our part but it doesn’t mean we are doing it perfectly. We just have to try to do better. So does BJH cos he needs to not be a misogynist but anyways i digress.

additionally and this is something some users fail to understand: people in the media sphere generally have fucking money. I went to film school that was international with super fucking rich kids. Taiwanese kids, kids from south asia, china, thailand. They had money. No not upper middle class money, not “rich” money, not some paltry 1m that’s chump change. Fucking money. Fucking RICH-RICH. MILLIONAIRES. BILLIONAIRES. WHICH IS DISGUSTING MIGHT I ADD. The domestic people didn’t have the money for school (in the UK) and i am in a massive amount of debt like every other black student that went there. You do not understand how much money is needed to survive so people who turn to these crew positions even casting etc need this fucking money usually. OKAY. A lot of the people that do well in these dumb shows or even on a larger scale HAVE MONEY. The reason these industries are small and struggling is because of lack of people and lack of resources to independent shit because oh gee it takes money to make things.

Why should I try? Well you don’t have to really if you have money or a name. Yet...

We can tell when like those Tik Tok shows or DCOMs dont give a shit (anymore.) You know how frustrated we get when content for young people is garbage? Well, see, BL is literally that under that system. Occasionally we will get something good now but there is virtually no need in any sector in the world at this point to truly figure out how to make it better and what to do to enhance artistic literacy, outreach, teaching people new things, getting people from these communities there and having true realistic says. Art and culture is IMPERATIVE TO WORLD LIBERATION but not when it is so stiffly trying to bend to capital’s idea of progressiveness. No. Neoliberalism. No.

That’s why in a way ITSAY is a huge feat; it takes from films etc and they clearly had money (the actors rae rich too which….lmaooooo j’aime pas) but it was a respected fucking script, acting was important, blocking, framing. There’s very little to critique as a visual medium for that because I understand what they are trying to do, their market is going to be mostly young girls, but they RESPECT THE FUCKING AUDIENCE. And guess what guys? You can make money from it!!!! WOAH! Since that may be the only goal which is disgusting and repulsive.

HOWEVER AND THIS IS WHAT IS SAD: itsay is an ex of a great show however knowing the actors backgrounds and the pseudo trouble it stirred when they weren’t supporting people protesting against the coup in the summer it really put a damper on my enjoyment. And this is how we can see that:

a) it’s honestly just a show and a good one but b) now what?

These kids (actors, who are like idk 19? 20?) are rich and not saying anything while countless actors, who were filming, did. Even tul who has $$$$ and the thing is the protesting against the coup legitimately attacks the rich. As it should. The protests going on were cries for help, against a dictatorship and fucking coup, asking people to get fucking help for covid, having kids be able to live. There’s a mini on VICE about this and it probably doesnt go too in depth but there’s a kid in there who talks about his friends getting into drugs and how he just wants to make music, have fun, skateboard. And it’s harrowing to see. This is a direct example of what these things do and don’t do. Yea we know a good show is here, we know growing up and slice of life, we know this is a bit of escapism and idealism but the idealism is reflected in the way these actors also choose to live their lives. So what progress? To who? For who? How is this helping me? What purpose does it serve? I say ITSAY serves its purpose as a piece and a glimpse into possibility of growing up but i do not say it antagonizes a broader issue that needs to be relevant in some sense but simply is not. It’s very singleminded and, well, it’s sort of like “besides my sexuality, what do i have to worry about?” But for real humans like....a lot. I do not respect their decision at all.

Why can’t we do our jobs and make something decent and respect our audience? No time, gotta make that sweet sweet sweet cash baybee. Look how progressive we are! Don’t look at history and material conditions. Thanks in advance, management.

History 4 does not have that respect. Many of these shows do not. Sometimes we hit good, sometimes we don’t. But in the end we cannot settle. And I won’t. If I am critiquing something I will not be shy and if I am meant to enjoy something as escapism then these shows NEED to highlight that and it’s rare sometimes (the best twins is a good reminder like that show is bad but man do i Brain Empty when i turn it on and i like that and there’s not much in it that makes me want to kill myself from annoyance but there are transphobic jokes i dont love however the whole show is a comedy about this dude’s crazy homophobic sister and she is constantly positioned as wrong and they talk about the aforementioned trans women as the actor was in drag. Interesting that they can manage that, huh?)

Oh btw.....taiwan has a very complicated history but ignore all the bad stuff it’s good now you can kinda sorta get married and stuff. KMT? You know how i learned that? I care about human beings and read about it lmao. I am not Taiwanese and look at that. So now I have historical and DIALECTICAL~**~*~****~*~*~ context so i can judge it as an artist, a black woman from america, and from the knowledge i have to pick up on their history to see if this fits into a broader picture besides the micro-one of sexuality on an individualized level. And this is kinda where it comes full circle: these shows are not you, you are not them, they do not exist in a vacuum because nothing does. The failure to critique now means continuing on as it has and it will still do so. History and time are not linear in the sense we think it is. Someitmes things are better, sometimes things feel more austere. We are not living under liberation though and these shows are not going to do so. So they are not US nor are they for a nebulous “us” of which the groups are all fractured and have diff opinions anyway (my opinion as a black american is going to vary from an asian woman’s say and that could really clash and i do not feel solidarity with all those in every community i am for several reasons.)

Final thots that have taken up my time and the only thing i actually wanted to write but got distracted:

Anyway my dissertation is that I ilke Muren and LiCheng a lot a lot and i like how cute they are and how truly dumb li cheng is. This is an example of mostly good writing, decent actors, nice chemistry, and sort of a calmness to them. And I super enjoy how Muren is pretty forward with LC in the sense that being together is like very important to truly be together. When he was like “no i didnt forget!” Or when LC asked him something in the office I forget it was 6 am and again i almost threw up and muren nodded and then LC leaned on him. Very cute. I want more of them tho i may have to skip that othre couple (the cameo the ones from MODC) but omfg the younger one HIS HAIR GREW SO MUCH HE LOOKS SO MATURE AND CUTE OMFGIJ0HUG9SAOGIJPKOAGJSIOHUAGIJP hahhaha the one good thing i will say about THEM.idk how old the actor is i figure he was young idk it makes me happy to see him he’s very cute. I hope he’s in something i can watch and not gag at. Is he hot? Who knows but he is a cutie!!

Anyway muren and lc have a good thing going it’s nice to watch ho\pe they dont fuck it up but im truly a sucker for some true finds 2 luvas i think some user on her\e was like i’m not a fan of friends ot lovers bc it doesn’t seem like they’re actually friends and maybe they were referring to this show idk. But it made me think and it was a very good observation. So i think they are friends and also luvrs <3

[potatowitch]

finding out that the star wars sequel series was written on the fly rather than actually planned out makes so much fucking sense but also pisses me off EVEN MORE because i watched the force awakens in 2016 and within a day of leaving the cinema had a fully fleshed out idea in my head of the direction the next two films would take and the plot points they would cover, all brainstormed in the shower. 16 year old me was more capable of writing a cohesive storyline than disney was. so here you are - i rewrote the sequels to be ten times better than what disney actually gave us. enjoy.

- after rey finds luke they train for a bit then he's like "gotta tell u something. u ever heard of mara jade? she's ur mum" "wait weren't u two dating for a bit" "yeah" "does that mean ur...." "...yeah"

- "why did u leave me on jakku?" "i didnt. she did. i only just learned u existed i wouldve come for u" "oh."

- "...can i call u dad or" "i would be honored if u did"

- meanwhile at the resistance base leia realises finn is force sensitive, gives him her old lightsaber she had in the comics

- because come on. rewatch the force awakens and tell me that man aint fuckin feeling the "shitloads of voices cried out in terror and were suddenly silenced" when starkiller goes off

- and he picks up a lightsaber and instinctively knows how to use it?

- also: two main heroes in a star wars film being a queer coded woman and a queer coded black man.

- and the whole "used to be a stormtrooper and defected, becomes a jedi" is a TOTALLY NEW storyline? not some tired old "white boy villain is a dick for three movies then suddenly turns Good TM right at the end" trope

- make rey explicitly asexual. she's beautiful and smart and got abs that make everyone who sees them MELT but she is NOT INTERESTED in anything but JUSTICE and PLATONIC HUGS

- finn and poe are also making out because come on, disney, if u wanted to show you're becoming more progressive having a loving interracial gay romance is the fucking easiest way to do it. BB8 has two dads and they share The Jacket

- turns out finn is a kenobi because u cannot tell me obi wan didnt Fuck. jedi code says "dont form attachments" but watch the clone wars - obi wan plays fast and loose w the jedi code at the best of times. now we got a skywalker and a kenobi working together being best buds again, THE WAY IT SHOULD BE.

- the destruction of starkiller has crippled the first order. don't fucking look at me like "the resistance just won a major, VERY VISIBLE victory but OOO no somehow they're still very low on numbers and infrastructure" NO. the public destruction of starkiller has earned the resistance an influx of allies. the republic has started publicly supporting them. the first order spent years building that thing and now not only is all that time, effort and MONEY gone, they lost a shitload of staff and military personnel when it blew up

- "the first order is rich" is a plot point I DO NOT UNDERSTAND because it directly contradicts what's going on in the expanded universe books. the first order was built from remnants of the empire that had been banished to the outer reaches of the galaxy to live out of broken down, shitty old star destroyers.

- it's the reason hux, who was raised in a decrepit old academy in the ass end of the universe by an abusive father, is SO anti republic. in his head, it's the reason he starved as a child. it's the reason his mother is dead. it's the reason he had to be raised by a father that beat him. his hatred for the republic is PERSONAL

- disney learn how to write a good villain challenge? hux EASILY could have been terrifying AND sympathetic

- hux and kylo now have to deal with how absolutely PISSED snoke is that both of them failed with starkiller. hux gets force choked and threatened. kylo gets snoke very painfully rooting around in his head. it is emphasised that snoke's relationship with these two is downright abusive.

- somewhere in there, they realise that the whole five years they've known each other snoke has been deliberately pitting them against each other and sneakily forcing them to undermine each other's authority

- they realise it was snoke's shitty leadership that lead to the destruction of starkiller. they realise that maybe they'd be better off on their own

- the two of them plot to murder snoke themselves. while this is happening, the resistance is happily building an army, gathering resources, and forming alliances. luke and rey have reunited with the resistance and now rey and finn are both happily training with luke.

- snoke dies. hux decides to take the mantle of emperor. kylo LETS HIM because he realises he doesn't know shit about fuck when it comes to leading anything more than his knights. has a crisis of confidence about how useful he actually is, then hux decides he wants to keep the knights of ren around as his personal "fuck up the resistance" squad.

- the two of them working together turn out to be fucking terrifying, competent villains. the films have short, five to ten minute sections where they explore their VERY SIMILAR traumas to make them sympathetic WITHOUT making them seem like "uwu they're not actually bad people" because THEY'RE STILL AWFUL GENOCIDAL MASS MURDERERS

- on the kylo trauma side: it's made obvious in the books that from about age 6 snoke has been in his head deliberately grooming him away from his family. make that obvious in the films. make its impact on kylo obvious in how unsure of himself he actually is. don't make his "redemption arc" one where he suddenly goes light side. give him a bastardisation arc where he realises his whole life he has never made a choice - and then make THE FIRST ORDER his choice. (it is the wrong choice! emphasise that! but make him MAKE THAT CHOICE)

- the resistance thinks they're doing well. they have two new jedi. they've seen very little of the first order outside of small operations that they've been squashing. they think "hm. starkiller's loss must have crippled them. we're doing well!"

- until they learn actually. they've got an emperor now. and the commander of the knights of ren is INCREDIBLY loyal to him. the first order is PISSED OFF and VENGEFUL. they're back with a force. they've started invading and subjugating planets even with their forces cut as thin as they are because hux is a military mastermind and kylo and the knights of ren are a fucking TERRIFYING unit in combat.

- also why did disney decide to present hux in the films as a weak pissbaby when he probably topped his class in all combat situations and fights dirty in close quarters. man can SNIPE. man will bite your fucking finger off if you manage to disarm him. he is a 6 foot beanpole and he will kick your ass

- kylo has a crisis about actually having to kill his mother, uncle and cousin. he still feels a bit bad about han - despite everything, he still loves them and is struggling. he actually confides in his knights about this. we get to see that the knights of ren have a found family dynamic with their commander and they comfort him.

- kylo realises it will be painful to murder the last of his bio family but it must be done, because he's come around to hux's view that the resistance and the republic are standing in the way of true peace in the galaxy. he actually believes that reinstating an empire is the best thing for the galaxy. this makes him a more effective villain because he actually believes what he's doing is right.

- more stormtroopers defect to the resistance. finn is there to welcome them and help them adjust. there's a couple of lowkey force sensitive troopers in there too. we learn more about how horrible, soul crushing and traumatic stormtrooper training is. this is a good way to keep painting the first order as an organisation that violates human rights and the geneva convention at every turn.

- the first order makes up for this loss of troops in picking up recruits from the planets they've taken over in the outer rim because they've been providing stability. again - it is SO EASY to write the first order as sympathetic villains WHO ARE STILL FASCIST ASSHOLES. this would've been such a good opportunity to show the moral argument between stability vs freedom. show the flaws in the republic because they do exist!! we see that throughout the ENTIRE expanded universe! every iteration of the republic fails in some way!

- the fight against the first order becomes increasingly more difficult, but they're actually on pretty even ground. it doesn't make sense to me that disney decided to go for the route of "the resistance should've been squished easily by the might of the first order but uwu kylo can't make up his mind and thats what saves them!" that is not a compelling storyline! they are relatively evenly matched and the resistance only JUST comes out on top!

- kylo kills luke in actual combat, not just "luke randomly dissolves for ... no good reason?". this hits the resistance HARD. rey and finn have to struggle with their desire for revenge. leia realises her son is beyond help. it nearly breaks her. she has a moment where she feels like she has lost everything. poe has to step in to remind her she still has him. it is revealed that he joined the resistance after the first order killed his family HORRIBLY when he was a teenager and he and leia sort of have a mother/son relationship.

- this is also a good way to juxtapose hux and kylo. they took their trauma and it made them awful. poe takes his trauma and it makes him kind. it makes him want to protect people from what he went through. also gets rid of the "haha we made the latino man have a drug dealer background" bullshit that disney did

- poe also has to comfort his boyfriend and best friend and remind them that they are fighting to make the galaxy a better place, NOT for revenge. then they have a discussion about "yeah, don't make revenge your main priority, but the jedi were a bit wrong in saying that you shouldn't enjoy it anyway. it's going to feel good to fucking murder kylo and that's okay". acknowledgement that the old jedi code was garbage and too restrictive for actual PEOPLE to follow it.

- kylo still can't kill leia or chewie. we get flashbacks of her singing to him, braiding his hair, comforting him after nightmares. we see baby ben riding on chewie's shoulders. seeing the conflict between kylo recognising his family loved him and still choosing to be a villain would have RUINED ME. he tells hux this, expecting hux to shoot him for it. hux understands - he had a mother, once. the republic killed her.

- (they actually didn't. she was an imperial slave and was probably left behind when an imperial settlement was being razed. the only reason hux actually survived was because he was his father's only heir. there's a whole spiel in the books about brendol going "this kid is a piece of shit bastard i dont want him" and imperial officials being like "the empire needs kids. go pick him up")

- hux decides to kill leia instead. he nearly dies doing so because woman is STILL a force to be reckoned with even at this age. remember she is actually trained to use a lightsaber AND guns. the only reason hux doesn't die? kylo steps in at the last minute and kills his own mother. he's made his choice. he mourns, and then he steels. there is nothing left to pull him to the light side anymore.

- anakin has given up trying to bring his grandson to the light from beyond the grave. him and obi wan are focusing their force ghost attention on rey and finn. now luke and leia are both there too. we get the same "all my jedi ancestors are rooting for me" moment that disney gave us, except now it's shared between rey and finn.

- the two of them plus chewie cut through the knights of ren until they get to kylo. he kicks the living shit out of them, but they manage to kill him. rey earns some gnarly, sexy scars. chewie needs a hug and goddamn does he get one.

- poe is the one to kill hux. he's not just doing it for the galaxy, he's doing it for leia. the first order already stole his first family from him. he won't lose his second family to them. bonus points if BB8 joins the fight and like ... tases hux in the leg a few times.

- we get some gratuitous "c3p0 and r2 are sneaking through an imperial base and fucking shit up but like, badly because 3p0 never stops talking" scenes

- you want to bring rose tico into it? she's head of the resistance's infiltration team. she's with the droids taking down shields, stabbing people in the back, freeing prisoners, stealing plans, sowing chaos. she's the one who finally takes down phasma.

- without their emperor and the knights of ren, the new empire crumbles pretty quickly. the resistance has taken HEAVY losses but they have won. we get a very beautiful funeral scene for luke and leia. there's a gorgeous group hug between finn, rey, poe, chewie and bb8. poe and finn smooch against the sunset.

- we see finn and rey going into crystal caves to get kyber crystals. poe, chewie, bb8, r2 and 3P0 wait outside the cave in the falcon for them to be done picking up their crystals, then we see finn and rey inside the falcon building their new lightsabers with guidance from a bunch of force ghosts. we get to see that rey has chosen to decorate the inside of the falcon with a bunch of potted plants so she can be surrounded by greenery at all time. the found family aesthetic is STRONG

- rey builds a saber pike. it comes out golden. finn builds a standard single blade saber that comes out white, like ahsoka's. gold to emphasise protection of the weak and the perfect blend of combat and scholarly pursuits. white to emphasise free will from both the jedi and the sith. it is emphasised that these two will NOT be your traditional jedi.

- we see an epilogue where poe is working to help shift the republic's focus from political squabbling to actually protecting its citizens. he leads reconstruction efforts, helps establish more of a presence in the outer rim, constantly fights for moving resources from protecting the republic's assests to providing food, shelter and safety to its citizens.

- finn is constantly by his side. we see him protecting his new husband, on the front lines destroying remnants of the empire and the first order, and using his combat prowess to absolutely murder slave owners.

- rey has taken to training new force sensitives with chewie by her side, however she recognises the jedi code has been failing force sensistives for millennia, and instead her teachings are more aligned with the grey jedi philosophy. she recognises that people feel anger, hate, grief - and that they are all valid emotions. it's what you choose to do with them that is important.

- she actively encourages personal connection, believing that loving your friends and family is righteous and the true path to the light side. her apprentices all adore her, and she is always there for them - she'll listen to their worries, from something as small as "i am 13 years old and my first crush just rejected me" to "i am a former slave coming to you after the first order murdered my family and tortured me. i am having nightmares and am afraid of the anger i feel".

- she encourages apprentices to stay in contact with their family, and she becomes that family for the ones who have lost theirs.

- you get the feeling that this time, peace in the galaxy is actually going to last. anakin, obi wan, luke and leia look on from the Force in pride at their children and grandchildren. they did good. they can finally rest.

- the sequels have made personal choice a major theme. finn chooses to defect. poe and rey choose to be kind, when they have every reason not to be. hux and kylo make the wrong choices. there's no flip flopping like a dead fish between good and evil until the very last second. the lines between kindness and freedom and hatred and subjugation are clearly drawn again and again.

- i sit in the cinema after the screen goes black and i weep. i am satisfied. this was a fitting end for a franchise i have loved for most of my life.

[coalessscence]

one of my favorite worst things to Think About are the ways herb’s casually neglectful childhood sometimes just....surfaces in the every day world of his life now. and since his whole shtick is my childhood was perfect my father is basically god and i have absolutely no parent issues idk what ur talking abt, he winds up having to flail, having to learn on the way down, and try to keep up a cover that he knew all along. which, usually, doesn’t work, and just makes it all the more sad. here’s a few examples i’ve thought of because i don’t love myself:

someone around the station gets stuck with something metal and comments they might need a tetanus shot. herb was definitely never taken to the doctor’s for a checkup and regular vaccinations as a child, and since he works daytime hours lucille takes the kids while he’s at work, so he literally has never had a shot and he doesn’t fully understand what vaccines are, aside from cultural osmosis, so he asks in telling confusion, “what’s that supposed to mean?” @piper-aileen-lenox specifically, thnx for making me think of this and ruining my life xx

when herb and lucille moved in together (i imagine they were engaged but maybe not married just yet) lucille made it clear to her rather sexist fiance that she was expecting him to tow the line around the house just as much as her, which he agreed to, except when she asked him to do the grocery shopping thinking that was a harmless thing he could do (not like she’d trust him to actually get the dishes clean or fold her clothes so they don’t wrinkle). they almost never had food consistently in the house growing up and if they did eat full meals, they only had the food for THAT MEAL around because 1. herb sr. and ruby (herb’s parents) lived an erratic lifestyle of little to no money or a whole lot of money but only for a second because it was burning a hole in herb sr.’s pocket, and because 2. ruby quickly learned spending money on food ahead was pointless because either herb sr. hecked off somewhere w/o warning and it went bad, or his deadbeat friends hung around and ate it all, so she only bought for that day if they had the money for anything. but since no one was ever around to TEACH herb anything and he figured most things out on his own, herb doesn’t understand all this and he literally thinks you’re not supposed to by food until you run out or that you have to throw out whatever you have left at the end of the week because....... who knows ???? that’s just what he thought. it caused multiple arguments early into herb and lucille’s relationship before she figured it out and explained it to him because he didn’t know well enough to ask.

when herb and lucille’s first child, bunny, was born, he had to be shown how to hold a baby by the doctor. he had literally never held or even interacted with a baby before until that moment. he had no siblings (that he knew of), he had no friends as a child because if he wasn’t the bully he was the target and he was an ass just like dear old dad so no one liked him anyway, and he had 0 other family. lucille realized in that moment as she watched his palpable confusion when she extended their newborn child to him that he was going to have a lot of learning and growing to do. she hoped he was ready for it.

god that time there was a station fam barbecue early into herb’s wkrp career and someone, maybe mr. carlson, is like ‘WHO WANTS TO BE THE GRILL MASTER’ like its a big deal and everyone is like oh it has to be herb bc he’s the newest out of us and hes aware all the men see it as a status symbol and he CAN’T be less of a man than another man bc Ego (tm) so hes like of course im the grill master !!! and then panics for the next thirty minutes because he’s literally never even stood next to a grill let alone used one HOW DOES IT WORK the first fifteen minutes he doesnt even have the gas on rip

when herb was, like, 15, he taught himself how to drive a car because one of his “friends” (peers who was a bully that he called a friend and hung out with to stop also getting bullied but who was still bullying him anyway, herb was just brainwashed into thinking that’s what friendship is) wanted them to go out cruising and herb wanted to be a Cool Guy and not look like a chump so he lied and said he could drive. they got pulled over, because of course they did, and herb got in big trouble for you know, driving w/o a licences. the kicker though is that herb didn’t fucking know you can’t drive without a license or that licenses and road tests and drivers ed were even a THING because he literally raised himself and no one ever  t a u g h t   h i m   a n y t h i n g. anyways his dad got called home to deal with it from wherever he was away at at the time and he got in big trouble for interrupting dear old dad’s work anyways so :) what a healthy family

surprisingly, herb DID know how to cook the basics. grilled cheese, pasta, stir fries, a couple casseroles. lucille asked him about it because he was always such a Gender Roles (tm) type of man who wouldn’t even wear a brighter shade of red than like. maroon. in case it got loosely contaminated with the concept of the color pink and he’d have to change his name and move to alaska. so why was he doing a “ womans job “ (cooking) and herb just looked confused and said “what, guys don’t cook?” she told him that no, they usually didn’t and would have laughed at her if she tried to make them, and he laughed awkwardly and absently stirred the pot on the stove and shrugged in mild confusion. “that’s weird. if i didn’t cook i’d have... starved, i guess.”

the bad news is his cooking wasnt GREAT and lucille was happy to take over because again.........self taught. and he has one (1) brain cell so. not Great

LITERALLY DIDN’T KNOW ALL CLOTHES DON’T HAVE TO BE DRY CLEANED. his dad literally wore clothes that had to be dry cleaned Every Day (and we wonder why the tarlek family was short on the food budget god) (and they were ugly clothes too akdhfjfg) and ofc if ruby washed her clothes, it was while herb was at school. he dry cleaned so many clothes that do Not Make Sense to dry clean in college before he slowly figured that out.

did not know what an allowance was. bunny asked him for one and not willing to seem stupid to his swift daughter he told her to ‘ask her mother’, who thought it was hecking weird that her money obsessed husband would say that, so she asked him why and after several long minutes he just shrugged helplessly and said “what’s an allowance?”

don’t even get me started on herb and lucille planning their wedding ( ‘what kind of stuff should we put on the gift register?’ “put on the WHAT?”  ‘what are we going to put on top of the cake?’ “there’s gonna be CAKE?”  ‘i can’t wait for daddy to walk down the isle with me, it’ll mean a lot to him’ “your DAD is gonna walk you down the isle....?? but you’re marrying ME, right?”   ) also herb not knowing the wedding look of the bride is supposed to be a Secret and barging into the room w a question or smth while lucille and her bridesmaids are getting ready, and everyone is hella miffed and he’s like WHAT i’ve seen her naked before and theyre all like THATS NOT THE POINT HERB

herb did Not Know about seasonal allergies. he just........didn’t know. he just thought god hated him and every spring and fall his head sprung a leak. and the whole time he was growing up no one A. listened to him complain about them and put 2 and 2 together, nor B. just taught him about basic first aid stuff in general for that matter he doesnt know shit. anyways, then lucille was like why are you such a tough guy just stop complaining and take some medicine for your stupid allergies and he was like take some what for my what now

ANYWAYS herb’s mom left while he was v young and he doesn’t remember much about her. herb’s dad was literally   n e v e r   home. the people herb’s dad left him with would work for obscenely low amounts of pay or owed herb sr. money and largely used all the money for their own food, drugs, alcohol, or other more unsightly business, and left herb alone to fend for himself. this is the disaster human that that produced, thanks, family dynamics! don’t abandon your children, kids, thanks for coming to my ted talk

[kinsbin]

Theme Parks and Fireworks

Title: Theme Parks and Fireworks Ship: Alexys/John Doe [Joker] [Self Insert/Canon] Word Count: 2595 Summary: John is determined to take Alexys out on a fun, romantic date. And what better place to do so then an amusement park? Rollercoasters, ice cream, and games...It sounds like the ideal date, but, will she think so?

A/N: A commission for @bad-blue-moon-rising! Sometimes you just need a classic carnival date with ur bf man.

Alexys gazed around the open area, the tips of her toes straining under her weight as she searched desperately for the man she was supposed to meet. While the late night and the weekday date kept the majority of amusement park goers at bay, there was no denying that it was still busy. Couples bustled around her, the chattering of their teeth combined with the echo of theme-park music playing high over speakers around her made her feel trapped despite being out in the open. Anxiety welled and lowered every so often as nerves and excitement combined into the perfect cacophony on the inside of her heart.

It was the first time that John had suggested they go out together on a date in public. Rather, it wasn’t the first time he suggested it. He had suggested it many, many times at a constant rate as they lay together in the safety of either her apartment or his home, fingers entwined while they rested on one another’s shoulders. One thing or another kept coming up to stop them from doing so, of course. A crime scene had John lay low. Work kept Alexys busy, or Bruce Wayne had a particularly free day to spend with his best friend...There was always an excused that felt heavy in their hearts as it kept them from doing things they said that they longed to do with each other.

This weekend, of course, was different. This weekend...they were both free.

Unable to choose the place to go, they had literally filled a small bowl up with scraps of paper and shook it up. John said it would be fun to allow chance to take them wherever it wanted them to go. It was only after she pulled out the note that said ‘amusement park’ that he revealed to her that, in fact, just about all of them had said ‘amusement park’. “I really wanted to go to an amusement park,” Was John’s subtle argument that had Alexys giggling with delight at how sheepishly adorable it all was. Her laughter brightened him up as he leaned forward to find her lips, kissing them as they began to plan their day out.

And now there she was, standing nervously as she waited for John to join her. Maybe this wasn’t a good idea, she second guessed it all with terror in her mind, maybe they had out to reschedule it for another day. There were still so many people, maybe he got lost. Maybe he-

“Alexys!”

A familiar voiced sung her name out with complete adoration. Alexys followed its tone with her eyes, wide and hopeful as she picked out a waving hand through the crowd. She felt her own smile grow in relief upon her lips as she pushed through as politely as she could to get to the man reaching for her. John, on the opposite end of the spectrum, seemed to have no qualms with powering through whoever dared get in his way in an effort to make it towards Alexys.

When they were united, he gripped at her hips and brought her into a kiss, lips forming into smiles as they both laughed while John twirled her around and off of her feet. Her hands, in turn, found their way around John’s neck and held on tight as he swept her up in his greeting. He loved hearing the muffle of her laughter as he kissed her. Feeling the smile on Alexys’ lips as he surprised her was, by far, the greatest thing he had ever felt in his life. John could feel his heart beating ten times faster in his chest than he had thought physically possible. God, was this what being in love felt like? It only made him want to smile more. To make HER smile more as he finally put her down and held her hands to his own chest, eyes twinkling with excitement at the stimulation the world around them provided.

“Sorry I was late,” He informed while simultaneously gazing around at the park before him, “Traffic was absolutely horrible! There was this guy on the freeway and an overthrown pizza cart, it was a nightmare-Oh my god is that a rollercoaster with two loops?!”

Alexys whipped her head around, eyes wide with shock at the sudden change of conversation. Sure enough, the park’s major attraction shone in view of the colorful lights slowly beginning to shine on, enhancing the already mystical feeling of the world they were in. The screams of those riding it could be heard from where they stood, the ground shaking as nearby roller coasters flew by the both of them with practiced, mechanical ease. Alexys could feel her heart thump in the center of her throat, nerves and excitement overwhelming her senses as she looked back at John. She grinned and him and he grinned back, the decision in their minds clear as their thoughts seemed to harmonize together in the base of their stems.

Oh they were getting on that coaster.

The journey to it, of course, would take them all across the park. Alexys was not against stopping at every colorful game and miniature ride that caught their attention and John, oh, John welcomed it. Though their shared goal remained the daunting coaster inching its way closer to them with each and every step, it was easy to drown yourself in the colorful booths that people hyped up. The prizes and the park’s lights were easy to disappear into with every passing moment.

A hand touched at her shoulder, pausing her movements in favor of turning to face her date. John’s eyes were fixated on something else, his gaze locked hard on something far to the side of their original route. She followed his gaze carefully, watching as it lead up to one of the more traditional carnival games in the area. The smiling clown faces winked brightly back at the both of them, animatronic giggles echoing against it as they hummed along to carnival music. Children and adults alike aimed water guns into the center of their faces, the fastest ones filling up the balloons over their head until they burst with water, spraying down near the carnie manager, who laughed and declared the winner.

His eyes tore away to stare at Alexys, the single pleading word in his eyes that she saw with such clearness it almost made her smile with adoration at just how sweet it was for him to ask the permission:

‘Please?’

“We GOTTA try it.” Was her only response.

John laughed, his grin returning two-fold as his hand moved to grip at her own. Alexys smiled, fingers entwined together with his  as the two tugged one another gently along. They arrived in record time, each step feeling like two with the way John chose to jump and move as eagerly as he did. The wonder he found in a world that always felt like it was going to disappear warmed Alexys’ heart. She felt her stomach churn with butterflies and love as she watched him practically dive into the seat of one of the booths, ordering two tries for her and him with a smile so wide it practically stretched his face. Alexys jumped into the seat at her side just in time to witness the face of the booth manager contorted in the stereotypical teenage eye roll that signaled they simply weren’t paid enough to complain about any of this.

“If I win,” John hummed playfully, “You need to buy us ice cream, okay?”

“You mean if I win,” Alexys challenged back with a laugh, “You buy us ice cream AND I get to keep the cool stuffed animal we get.”

“In your dreams,” John snorted, shutting one eye and sticking his tongue out comedically, “I am a trained marksman. A creature of perfect aim. There’s no way you could beat me at my own home game...It was meant for me.”

HIs dramatic money was put where his mouth was when the game started, the balloons filling and filling with endless fuel until at last one burst form the seams. Alexys gasped as water was sprayed down on her, the buzzer above her head signaling her the winner. John gasped, but the look of shock morphed into a laugh and grin as he clapped for her, the prize of one large stuffed bear being handed down in her fingertips. Over the stuffed animal, Alexys grinned wide at her partner.

“What was that about winning again, expert marksman sir?”

“Clearly I’m out of practice,” John huffed dramatically, hand over his heart as he puffed out his chest, “Green Arrow who? I would have won that if your beauty hadn’t distracted me.”

A blush coated her face and Alexys wheezed, hiding her face in the bear’s soft purple fur as John laughed at her reaction, reaching out to stroke her hair with a kiss to her temple. “How about some ice cream to cool that cute face down?”

“Chocolate with extra sprinkles.” Alexys declared in a mumble, using the fur to continue hiding her smile. John saw it anyways, though, and smiled back.

A bought of ice cream altar and the two were walking hand in hand, cones held between grips of their free ones and the bear Alexys had one was huddled between them as she tried to eat her ice cream over it’s massive amalgamation of fur. He couldn’t help but admire how adorable she was, tucked together in his hand with ice cream and a prize almost as big as she was. His face heated up to immeasurable heat as he observed her, grin breaking on his lips as he sighed dreamily at the way she brushed some of her hair out of her face so she could enjoy the ice cream more.

God, he really was in love wasn’t he?

“Oh! John look!” Alexys’ eyes widened and her mouth split into a grin as she pointed down at the massive roller coaster they had initially seen upon their arrival, “It’s there! And the line is short, we have to try it!”

In response, John’s eyes widened with delight as well. Finishing their ice creams as fast as they could, the two made their way to the rollercoaster. Sure enough, they were put on in the next batch of riders, shoes and bear placed in a small and nondescript cubby that the security team kept on the sides for unallowed objects. The strap was put over their bodies, locked in place with a mechanical clicking noise before the announcement of safety blared monotonously over the edge of the speakers around them.

When the ride finally began moving, the lurch in Alexys’ stomach as full fledged and shocking. Her eyes widened as she realized what they were doing. Where they were going. What felt fun in theory was now unnerving in practice to say the least. Her breath quickened as they moved higher and higher, her grip tightening on the ride’s safety bar as she swallowed and looked around. The top was inching closer and, with it, the view of the entire park was breathtaking. Visible from end to end, it shone under them like an ocean of lights and sounds, making everything seem so small compared to where they were.

A hand found hers once again, fingers gripping her own. Alexys turned to face John with wide eyes. He was smiling at her. As the wind whipped against his messy hair, he gazed with such adoration that it almost...surprised her. How could he look so calm when they were so high up? How could he look at her like that? Before she could ask more questions to him in panic, he leaned forward and planted a kiss on her lips, slow and sweet. It tasted like vanilla ice cream and rainbow sprinkles, same as his ice cream order a moment after.

“You look so cute,” He murmured with a grin, “On the top of a roller coaster. I don’t think I’ve ever been more in love.”

There was a moment where she considered getting the words out in return, a smile or giggle...Instead the rollercoaster tipped forward and her stomach went with it, drowning in screaming and laughter as the ride took over both of their senses. Twists and turns lurched them back and forth, filling their minds with adrenaline as both found the courage to wave their hands high above their heads, cheering as the loops sent them careening through the air. Alexys felt the blood in her cheeks as she laughed, bright and excited. Airy and delightful.

The ride came to a halt. Getting out of it was a more dizzying task than not, the both of them stumbling over one another through fits of giggles and light banter as they hugged one another through the exit, bear and shoes back in hand as they escaped the thralls of the park for a moment in favor of sitting down to organize themselves again.

“That was,” Alexys breathed as she tried to find the words through her smile, “intense! And fun, I was so terrified but it was so worth it.”

“Sometimes you need a little adrenaline rush,” John returned, leaning his shoulder on hers with a heavy sigh. She leaned back, eyes shutting for a moment to enjoy the warmth of his form at her side. He was so soft...so kind...and to kiss her on the top of a rollercoaster? It made her smile remembering it.

“Oh, Alexys, look!”

Her eyes opened in time to catch the explosions of light dancing across the sky as the late night fireworks show of the park began to unfold. Each rocket bathed them in several different colors upon their dissipation. She felt her jaw drop in awe at the shapes and sights they created before her eyes. Each display made her stomach clench with delight. Her eyes trailing from the light to the man at her side, she felt her face heat up to see John staring at her. His lips were parted in an awed smile, his eyes narrowed at her in a careful glance.

“Thank-you,” He smiled with sincerity, “For doing this with me...I can’t imagine anyone else I’d want to go on a date like this with.”

Date...though they didn’t use the word out loud, its sudden appearance made Alexys smile with approval. How wonderful it was to have that man to herself...to have that laughter and that sincerity all to her.

Leaning forward, she placed a kiss on his lips. He returned the kiss with equal excitement, their hearts pouring into one another as they shared the moment under the fireworks, the sparks of the world above matching what they felt between one another. It felt like the pieces of a puzzle falling. It felt like the end of a perfect night.

When John pulled away, he rested his forehead on hers. The two sat like that for a while, smiles bright on their faces as he held her hand in his own, bringing it up to kiss her knuckles while taking in a deep breath and sighing gently.

“I love you,” He murmured, “More than rollercoasters and ice cream, I love you Alexys.”

Alexys giggled at the comparison, moving forward to peck his cheek.

“And I love you too.”

To their proclamations, a chorus of fireworks exploded as the grand finale of the park’s last showing.

An explosive end to a perfect night.